• - summer fieldwork (2023)
  • - mauna (2019-20)
  • - encounters (2008-10)
  • - encounters (artist's book)
  • - million years (artist's book)
  • - bunad (2013-14)
  • - presence (2012)
  • - sea (2011)
  • - teatro (2009)
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Reed, Mouriès, France, 2010

Reed, Mouriès, France, 2010

Archival Pigment Print. 24x30 inches & 44x54 inches.

Two Poplars, Vincennes, France, 2010

Two Poplars, Vincennes, France, 2010

Archival Pigment Print. 24x30 inches & 44x54 inches.

Reaching Out, Arles, France, 2010

Reaching Out, Arles, France, 2010

Archival Pigment Print. 24x30 inches & 44x54 inches.

In the Snow Storm, New Jersey, 2010

In the Snow Storm, New Jersey, 2010

Archival Pigment Print. 24x30 inches & 44x54 inches.

Windy Night, New Jersey, 2010

Windy Night, New Jersey, 2010

Archival Pigment Print. 24x30 inches & 44x54 inches.

Midnight Trees, New Jersey, 2009

Midnight Trees, New Jersey, 2009

Archival Pigment Print. 24x30 inches & 44x54 inches.

Maple in the Moonlight, New Jersey, 2009

Maple in the Moonlight, New Jersey, 2009

Archival Pigment Print. 24x24 inches & 44x44 inches.

Evergreen, New Jersey, 2008

Evergreen, New Jersey, 2008

Archival Pigment Print. 24x30 inches & 44x54 inches.

Reaching Out, Arles, France, 2010

Reaching Out, Arles, France, 2010

Archival Pigment Print. 24x36 inches.

Trees in the Twilight, New Jersey, 2008

Trees in the Twilight, New Jersey, 2008

Archival Pigment Print. 24x30 inches & 44x54 inches.

Red Oaks, New Jersey, 2009

Red Oaks, New Jersey, 2009

Archival Pigment Print. 24x30 inches & 44x54 inches.

Ashes, New Jersey, 2008

Ashes, New Jersey, 2008

Archival Pigment Print. 24x30 inches & 44x54 inches.

Black Walnuts, New Jersey, 2008

Black Walnuts, New Jersey, 2008

Archival Pigment Print. 24x36 inches.

01 / 13
Images in this series comprise portraits of trees. The portraits are reflections of my inner state and childhood memories; each tree has its own personality. For one year, I photographed trees within near my house – the goal to create images from the ordinary and mundane. Some of the later images are from travels in France. Whether made domestically or abroad, the images attest to nature’s universality and my longing for nature. In most cases, I used 6×7 negative films and scanned for digital printing. I experimented with printing on rice paper which were then used for artist books and installation.